Author Topic: Dates for the first annual FW New York "Hey, I'm walkin' here!" get-together  (Read 21347 times)

02Pilot

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Agreed that in need not be solely an annual event. I'm sure we'll figure something out sooner.

I developed the roll of Tri-X I shot yesterday, so once I get it scanned I'll be able to post some pics. Should have something up by tonight. No doubt.
Any man who can see what he wants to get on film will usually find some way to get it;
and a man who thinks his equipment is going to see for him is not going to get much of anything.


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Terry

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An exhilarating day!  Many thanks to Andrej and Leonore for patiently shepherding us around.  Cold Spring is a very cool place (esp. after sundown) and merits return visits.  Due to hitting the sack in a thoroughly wiped out state late last night (this morning) I only just souped roll #1.  It may be a day or two before postable images emerge.

Best Sunday in years!






No doubt.

limr

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I have to add my praises for Sunday. It went so smoothly and it was fantastic to meet Peter, Satish, and Terry. These guys are Awe.Some. I don't know about anyone else, but I had no concept of how much time was passing - it shocked me when I realized how late it was getting when we headed back down the hill!

I shot all color so those rolls will be souped by my film guys, but I should be able to get some posted tomorrow night.










No doubt.
Leonore
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"Never stay up on the barren heights of cleverness, but come down into the green valleys of silliness." (Ludwig Wittgenstein)

02Pilot

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Glad everyone had a good time, and that we were able to show you something a bit different.

I got my Tri-X scanned, so here a a few shots to start things off, all with my Olympus 35 SP. I'm sure everyone will be adding theirs as film gets developed.








« Last Edit: May 20, 2014, 02:47:12 PM by 02Pilot »
Any man who can see what he wants to get on film will usually find some way to get it;
and a man who thinks his equipment is going to see for him is not going to get much of anything.


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Indofunk

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Ok, I can see already that I gotta get my shots in early or I'll be way too embarrassed to post anything  :-[ Great first shots, Andrej! :) Mine are also going to take a while because I went through 5 rolls and I'm processing each one a different way 

Kodak 400CN - Rodinal 1:100 stand developed
Tri-X - HC110 dilH
Fuji Superia - "hybrid process" (a term I invented for Rodinal into C41)
Kodak Gold 200 - bleach bypass
Kodak Ektachrome 64 (exp 1984) - standard C41 (xpro)

I actually souped both B&W's last night, and ALL THREE colors today    Now to scan ... see you next week :o

02Pilot

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Geez, you're not making it easy on yourself, are you? I'm really interested to see how everyone else shot these locations - they're rather familiar to me, but you get into ruts no matter how hard you try. The shots I posted are some of my attempts to see them differently, but the choices others made are sure to be more interesting still. No doubt.
Any man who can see what he wants to get on film will usually find some way to get it;
and a man who thinks his equipment is going to see for him is not going to get much of anything.


-Hunter S. Thompson
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http://filmosaur.wordpress.com/

hookstrapped

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No doubt.

Indofunk

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Ok, souped 'n' scanned the B&W rolls, no doubt. And for the first time in my long and illustrious home development career, my "this will develop anything" recipe of Rodinal 1:100 for an hour didn't work. It seriously overdeveloped the 400CN. But luckily I was able to save a few shots, and they have a super-grainy, grungy look to them. I particularly like this candid shot of Terry



The rest of the B&W's are here, and I'll be adding to the album as I scan and process the color rolls: https://www.facebook.com/media/set/?set=a.10152404889547278.1073741889.539577277&type=1&l=0558e485f6
« Last Edit: May 21, 2014, 09:30:25 PM by Indofunk »

Adam Doe

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...The rest of the B&W's are here, and I'll be adding to the album as I scan and process the color rolls: https://www.facebook.com/media/set/?set=a.10152404889547278.1073741889.539577277&type=1&l=0558e485f6

Indofunk, some cool shots. I particularly like the one with the fireplace and the stone archway in the background.

Ed Wenn

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Indofunk: I like the one of Terry, the chain link fence and the shoreline snap.

It definitely looks like you covered a variety of terrain :-)

Terry

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I like that one too Satish!  Looks the way I felt later that night!  Great set over there on FB too. Here are some results from roll #1.  More to soup and two rolls of 160NC at the lab...will pick them up tomorrow...



...no doubt.

cornishhouse4 par Terry B, on ipernity


cornishhouse1 par Terry B, on ipernity
« Last Edit: May 21, 2014, 02:28:31 AM by Terry »

Terry

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And another.  Calling it a night...

coldspring1 par Terry B, on ipernity

Indofunk

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Added the Ektachrome. Aaaahhhh xpro'd Ektachrome, how I love you  :-* I'm even nervous to buy more recent Ektachrome, or faster Ektachrome, because it probably looks really different.

All 15 in the FB album, but here are my faves




(Frodo came running out of the door 1/2 a second later ... as usual I was too slow to get a pic of him :( )
« Last Edit: November 01, 2014, 04:45:19 AM by Indofunk »

02Pilot

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Nice to see the photos that have been posted thus far. The cross-processed stuff is pretty interesting.

I'm scanning my roll of color now. I should have something cleaned up and ready to post by sometime tomorrow.
Any man who can see what he wants to get on film will usually find some way to get it;
and a man who thinks his equipment is going to see for him is not going to get much of anything.


-Hunter S. Thompson
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http://filmosaur.wordpress.com/

02Pilot

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I almost forgot to post this, amid all the film developing and scanning.

I figured you might be interested in seeing what some of the now-derelict buildings looked like in their heyday. There are some rare period photos here: http://www.hudsonvalleyruins.org/yasinsac/cornish/cornishold.html . Following the links on that page will also bring up some modern photos taken in winter, so you can see what it looks like covered in snow and ice rather than poison ivy and bugs.
Any man who can see what he wants to get on film will usually find some way to get it;
and a man who thinks his equipment is going to see for him is not going to get much of anything.


-Hunter S. Thompson
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http://filmosaur.wordpress.com/

Indofunk

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Oh YES! Thank you for posting that ... I totally meant to look for photos of the intact structures, but me being me I forgot  :-[ Perusing now...

limr

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I should be in bed already, but I was excited about finally getting some pictures scanned in. Here are a couple from before Terry, Satish, and Peter arrived:


Fishing by limrodrigues, on Flickr


Watching the trains by limrodrigues, on Flickr

Some benches:


Bench 2 by limrodrigues, on Flickr


Bench by limrodrigues, on Flickr

And some stonework:


Arches by limrodrigues, on Flickr


Dream by limrodrigues, on Flickr

This was the roll of Portra 160. There are still four more rolls of the Gold 200 to scan! I've set up an album on Flickr. https://www.flickr.com/photos/51692918@N05/sets/72157644759257091/

So far only these 6 are up, but there will be more scanning tomorrow.

No doubt.
Leonore
http://moderndinosaur.wordpress.com

"Never stay up on the barren heights of cleverness, but come down into the green valleys of silliness." (Ludwig Wittgenstein)

Terry

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Ahhh...the arch of doom!

Great link Andrej, the place looks very different from the way I had imagined it.  Amazing too how much the vegetation has reclaimed, especially the barn.

02Pilot

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Here's the first couple of color photos (Canon L1, Canon 50/1.5, Kodak Gold 200). In spite of the heavy green cast in the forest shots, I actually dialed the green saturation down in some of these. I was just THAT green out there.




Any man who can see what he wants to get on film will usually find some way to get it;
and a man who thinks his equipment is going to see for him is not going to get much of anything.


-Hunter S. Thompson
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http://filmosaur.wordpress.com/

Indofunk

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Wow, that certainly is GREEN, no doubt. I love the second one, very fantasy worldy

02Pilot

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Wow, that certainly is GREEN, no doubt. I love the second one, very fantasy worldy

And I haven't posted the really green ones yet....

The Canon 50/1.5 is very, very good at producing that dreamy look, especially wide open - sharp in the center transitioning to that great Sonnar softness with just a little vignetting,  It's also partially responsible for the high saturation. I do love this lens.
Any man who can see what he wants to get on film will usually find some way to get it;
and a man who thinks his equipment is going to see for him is not going to get much of anything.


-Hunter S. Thompson
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http://filmosaur.wordpress.com/

Indofunk

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Ok, added the last batch of color. This one is really weird. It was some expired Kodak Gold, 200ASA that I shot at 400 and then bleach bypassed. But the whole roll came out REALLY BLUE. I figure the developer must be spent (I'm gonna put one last roll through it tonight standard C41 and if it turns out all fucked up I'll know that was it)

Anyways, I considered color correcting it, but then I realized it looks pretty damn cool. And a stark contrast to 02Pilot's GREEN. Here's my fave:

« Last Edit: November 01, 2014, 04:45:56 AM by Indofunk »

02Pilot

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I really like the last two from the Blue Roll.

Here's a couple more in color (same camera/lens/film as above):




Any man who can see what he wants to get on film will usually find some way to get it;
and a man who thinks his equipment is going to see for him is not going to get much of anything.


-Hunter S. Thompson
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http://filmosaur.wordpress.com/

Indofunk

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Love that mossy log. To look at, I mean, not to use to cross a raging rapid :P

Indofunk

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And here are my entries for the photo competition :D





I lost those two because of camera shake (damn 25 ASA), but I think I may win this one just because of the cool xpro factor:



This one wasn't actually a part of the competition, but I noticed Leonore posted a similar picture so I thought I'd share it

« Last Edit: November 01, 2014, 04:43:52 AM by Indofunk »

02Pilot

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Just looking at the photos in this thread is making me realize that a lot of detail is lost in the size reduction - much of the delicacy of the log picture is lost, and there is much more shadow detail in the ruins photo than you can easily see in the small version. Since I don't want to post larger versions here (nobody likes having to scroll horizontally), once I get all of mine sorted out I'll put them in a gallery on Filmosaur (link below) where they can be easily viewed in a somewhat larger form.
Any man who can see what he wants to get on film will usually find some way to get it;
and a man who thinks his equipment is going to see for him is not going to get much of anything.


-Hunter S. Thompson
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http://filmosaur.wordpress.com/

02Pilot

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Incidentally Indofunk, I can't see your photos linked here. I can see them in your Facebook gallery, but I suspect my array of tracking blockers and other security doohickeys is stopping the Facebook-linked pics. Any chance of posting them on another hosting service?
Any man who can see what he wants to get on film will usually find some way to get it;
and a man who thinks his equipment is going to see for him is not going to get much of anything.


-Hunter S. Thompson
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http://filmosaur.wordpress.com/

Indofunk

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Sure, I'll upload them to my server and update the links to point there. And I bet it's Facebook's security that's not letting me hotlink, not your settings :)

Terry

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Love the shot of the meter on the garage wall there Andrej. 

02Pilot

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Thanks Terry - I was happy with that shot as well.

Here's my competition entries:






Any man who can see what he wants to get on film will usually find some way to get it;
and a man who thinks his equipment is going to see for him is not going to get much of anything.


-Hunter S. Thompson
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http://filmosaur.wordpress.com/

Indofunk

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Love the AAARFFFFF, love the mini-waterfall, but I'd like to see the other entries for the gap in the trees, because neither of ours really captured what I was feeling at the time, which was something like "I've been surrounded by trees and insane green for the past 3 hours and all of a sudden look! here's a break in the trees!" :)

02Pilot

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Love the AAARFFFFF, love the mini-waterfall, but I'd like to see the other entries for the gap in the trees, because neither of ours really captured what I was feeling at the time, which was something like "I've been surrounded by trees and insane green for the past 3 hours and all of a sudden look! here's a break in the trees!" :)

Would've needed a wider lens for that. Too bad I didn't have my Pentax SFX with fisheye lens.
Any man who can see what he wants to get on film will usually find some way to get it;
and a man who thinks his equipment is going to see for him is not going to get much of anything.


-Hunter S. Thompson
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http://filmosaur.wordpress.com/

Indofunk

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Yeah, I should've tried throwing on that wide angle attachment I told you about. Converts the 40mm Canonet lens to something wider than a 35. Maybe 28ish?

Also, I should try holding the camera steady  ;D

Terry

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A bit of color (Portra 160NC):


coldspring6 par Terry B, on ipernity


coldspring9 par Terry B, on ipernity


coldspring7 par Terry B, on ipernity

Indofunk

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Niiiiice!! I love the pot. I mean, I love that there's a pot on a treestump in the middle of the woods, but I also like your picture of said pot on tree trunk in middle of woods :)

Terry

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I see the stump as a sentinel; the pot is its helmet

Indofunk

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Hahahahaa so true :D

hookstrapped

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This thread needs some pink.

IR color processed E6, Gakkenflex.












First with orange filter; second and third with yellow filter (using my custom Gakkenflex filter holder)

02Pilot

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Wow, that's a lot of pink! I like the last one in particular. No doubt.
Any man who can see what he wants to get on film will usually find some way to get it;
and a man who thinks his equipment is going to see for him is not going to get much of anything.


-Hunter S. Thompson
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http://filmosaur.wordpress.com/

limr

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Peter, those are gorgeous!

I've got everything scanned in now and as they get cleaned up, I will slowly be adding pictures to my "Hey, I'm walkin' here!" album on Flickr:
https://www.flickr.com/photos/51692918@N05/sets/72157644759257091/

Might post a few more here, but for now, here are my competition entries:


View by limrodrigues, on Flickr


Mini fall square by limrodrigues, on Flickr


Arf by limrodrigues, on Flickr

And my version of the helmet:

Helmet by limrodrigues, on Flickr

(Oh yeah - Satish, I can see your pictures on my netbook but oddly enough, not on my big laptop. Weird.)
« Last Edit: May 22, 2014, 04:44:19 AM by limr »
Leonore
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"Never stay up on the barren heights of cleverness, but come down into the green valleys of silliness." (Ludwig Wittgenstein)

Indofunk

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Wow, that's a lot of pink! I like the last one in particular. No doubt.

Those shots are fucking amazing. I too love that last shot. Is it your submission for the "between the trees" competition? If so, you win hands down :)
« Last Edit: May 22, 2014, 04:26:05 AM by Indofunk »

hookstrapped

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Added the Ektachrome. Aaaahhhh xpro'd Ektachrome, how I love you  :-* I'm even nervous to buy more recent Ektachrome, or faster Ektachrome, because it probably looks really different.

All 15 in the FB album, but here are my faves




(Frodo came running out of the door 1/2 a second later ... as usual I was too slow to get a pic of him :( )

Yes, that's some good stuff there

hookstrapped

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Thanks.  I'm pleased with how they turned out.  BTW, I didn't adjust the saturation at all -- when I tried to up it just to see what would happen I went temporarily blind and my computer shut down.

I was telling Satish, going back to something Lenore and I were talking about -- the way TLR reverse viewfinder images are disorienting, the last shot was pretty lucky because I was spending a good bit of time just trying to compose that thing.  A TLR with a rectangular rather than square image, inviting you to try to shoot landscape, is the work of the devil.  Just as I got by body contorted, my neck twisted, and my eyes screwed up just right so that I had sort of an even horizon and more or less the frame I wanted, the train rolled by.  Click.

02Pilot

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I was telling Satish, going back to something Lenore and I were talking about -- the way TLR reverse viewfinder images are disorienting, the last shot was pretty lucky because I was spending a good bit of time just trying to compose that thing.  A TLR with a rectangular rather than square image, inviting you to try to shoot landscape, is the work of the devil.  Just as I got by body contorted, my neck twisted, and my eyes screwed up just right so that I had sort of an even horizon and more or less the frame I wanted, the train rolled by.  Click.

No matter how much I use my TLRs I always end up starting to adjust the wrong way before the Bud Abbott in my head smacks me and says "it's in reverse, you idiot" and I go back the other way.
Any man who can see what he wants to get on film will usually find some way to get it;
and a man who thinks his equipment is going to see for him is not going to get much of anything.


-Hunter S. Thompson
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http://filmosaur.wordpress.com/

hookstrapped

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Satish triptych -- Ektachrome 100VS xpro Mamiya 6 50mm


« Last Edit: May 23, 2014, 01:17:05 AM by hookstrapped »

hookstrapped

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Love that blue


Satish sexptych (why the name? just look at him!) -- Ektachrome 100VS xpro Mamiya 6 50mm


« Last Edit: May 23, 2014, 01:18:30 AM by hookstrapped »

02Pilot

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More color:



Any man who can see what he wants to get on film will usually find some way to get it;
and a man who thinks his equipment is going to see for him is not going to get much of anything.


-Hunter S. Thompson
-
http://filmosaur.wordpress.com/

Terry

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And the color keeps on coming (more 160NC):


coldspring11 par Terry B, on ipernity


coldspring12 par Terry B, on ipernity

And one of my favorites, the abandoned swimsuits:


coldspring10 par Terry B, on ipernity
« Last Edit: May 22, 2014, 04:49:40 PM by Terry »

02Pilot

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I've posted all of my photos I deemed worth posting in a separate gallery page, which you can find here: http://filmosaur.wordpress.com/gallery/filmwasters-hey-im-walkin-here-photo-walk-may-2014/
Any man who can see what he wants to get on film will usually find some way to get it;
and a man who thinks his equipment is going to see for him is not going to get much of anything.


-Hunter S. Thompson
-
http://filmosaur.wordpress.com/

02Pilot

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It's just amazing how subdued the green is in those Portra NC shots compared with what I got on the Gold 200 (though it's worth noting that the lens I was using tends to render color fairly vividly as well). My straight scans were alarmingly green, but then I looked out the window and realized that it wasn't that far from reality. I still dialed it back a bit where it seemed absurdly garish.
Any man who can see what he wants to get on film will usually find some way to get it;
and a man who thinks his equipment is going to see for him is not going to get much of anything.


-Hunter S. Thompson
-
http://filmosaur.wordpress.com/